Michael James Talbot

1959, Staffordshire, England

“Sculpture for me, is essentially a theatrical construction, an attempt to show and illuminate a chosen moment in time. I draw my creative inspiration from theatre, myth, dance and illusion. The inspiration for the Briseis and Ariadne sculptures were taken from plumes of water in a night-lit fountain which, with the distortion of the mind’s eye, figures appeared in the tumbling crest of a column of liquid energy. This, I have tried to capture in bronze, through the lost wax process, a technique from Ancient Greece, to render a timeless human narrative from the Myth of Greece. I like to give my sculptures choreography of form, tension and balance to lead the eye and capture a moment in time, sometimes I work with the fragment form rather than an entire figure (like Harlequin and Primrose Path). This is a favourite artistic device often inspired by shadows of the model on the studio wall – because less is sometimes more.”

Sculpture

Michael James Talbot

Grace (Ed. of 12)

65 x 50 x 20 cm

Sculpture

Michael James Talbot

Ophelia (Ed.)

Michael James Talbot

“I work from the live model in my pursuit of a particular momentary form or gesture. This I contrast with the absolute nature of bronze. It is what remains when time sweeps all else away. When we gaze into the face of an ancient bronze in a museum, what reaches out across the millennia of time is not how different, but how like us they were.”Michael Talbot is a renowned sculptor who exhibits with several European galleries and often works on high profile collaborations.

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“Sculpture for me, is essentially a theatrical construction, an attempt to show and illuminate a chosen moment in time. I draw my creative inspiration from theatre, myth, dance and illusion.